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All aspects of the circuit were modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The FG-N is a digital recreation of one of THE most classic discrete Class A British equalizers from the 70вЂ™s. This is the ultimate workhorse mix eq that can be used on any track вЂ“ great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. The FG-S is a digital recreation of one of the most famous British console equalizers from the 80вЂ™s.

The FG-401 is perhaps the most versatile mix compressor in the world, and it can sound good on any source you feed into it! After that we added an input transformer stage вЂ“ but not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor, and lastly we added an entirely unique second circuit path that provides an additional smooth and rich tone. First, we gave it variable attack and release with increased range, which added more tonal options. The FG-401 started as a recreation of the classic British console channel compressor, but morphed into a whole lot more. Audition signal chains faster, easier, and in real time with the Slate вЂVMRвЂ™.

Moving modules around is easy, fast, and creates no break in audio playback: mix and match filters from different EQs, chain an EQ before or after your compressor, or create a different A and B setup and switch between them.

This allows you customize your own channel strip in any order you choose, with the signal flow following the visual order of the modules. The вЂVMRвЂ™ operates as a virtual 500 series-style rack with hot-swappable modules, putting your entire processing chain in ONE WINDOW.

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